TERESITA, TANIZAKI AND THE WESTERN NEO-ROMANTICISM*
Elvia Rosa Castro In Spring 2014, MASS MoCA opened its doors to a solo show of Teresita Fernández’ As Above, So Below, a major exhibition that included three enormous installations and “drawings.” There, in an abandoned New England factory converted into an outstanding and inviting art museum, Teresita Fernández’s show was on view through the Spring